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Trieste Science+Fiction Festival

From Wikipedia of Horror


Template:Infobox Film Festival

Trieste Science+Fiction Festival was founded in 2000 under the name of Science plus Fiction by the Research and Experimentation Centre La Cappella Underground with the ambitious purpose of re-launching the Festival Internazionale del film di fantascienza (International Science Fiction Film Festival), which had been held in the northern Italian city of Trieste in the years 1963–1982.

It is a multidisciplinary event devoted to the realms of the "fantastic", to experimental languages and new technologies in cinema, television and the visual arts. With a program rich in screenings, retrospectives, tributes, conferences and meetings with renowned international and national professionals, it aims to explore the whole range of the science fiction world, from cinema to comics, as well as literature to stage performances.

Todd Brown describes it as "not just one of the world's leading science fiction festivals", but "one of the finest genre events in the world regardless of the genre in question",[1] while Dan Jolin lists it as one of the "14 captivating film festivals in Europe you won't want to miss".[2]

Trieste Science+Fiction Festival annually awards the Asteroide to the best international feature film in competition. Moreover, in cooperation with the Méliès International Festivals Federation, it also awards the Méliès d'argent (Silver Méliès) to the best European feature and short films in competition.

History

In 1963, a group of "young visual poetry artists"—as they were called by the Italian poet Giuseppe Ungaretti in a greeting telegram still in the archives of La Cappella Underground—founded the Festival Internazionale del Film di Fantascienza (International Science Fiction Film Festival), a revolutionary event that brought many renowned international stars to the city of Trieste.[3][4] In those years, the festival saw the participation of Arthur C. Clarke, Roger Corman (whose X: The Man with the X-ray Eyes was awarded the Astronave d'argento (Silver Spacecraft) in 1963), Riccardo Freda, Forrest J. Ackerman,[5] Umberto Eco (one of the 1963 Jury members) and Brian Aldiss, among others.[6] In the following years, the event would turn the city of Trieste into a unique stage for genre films. In 1982, the Festival Internazionale del Film di Fantascienza abruptly came to an end.

Later in 2000, La Cappella Underground decided to pick up the tradition of the festival, presenting independent film productions, premières, and rarities to the audience in a new event called Science plus Fiction.

In 2002, the Urania d'Argento (Silver Urania) Career Achievement Award was created in cooperation with Arnoldo Mondadori, editor of the sci-fi and fantasy magazine Urania. The first Silver Urania Award went to Italian director Pupi Avati.[7] Over the years the Award was bestowed to: Dario Argento (2003),[8] Jimmy Sangster (2004),[9] Lamberto Bava (2005),[10] Enki Bilal and Terry Gilliam (2006),[11] Joe Dante (2007),[12] Ray Harryhausen (2008, via videoconference from London),[13] Roger Corman and Christopher Lee (2009),[14] George A. Romero (2011),[15] Alfredo Castelli (2012),[16] Gabriele Salvatores (2013),[17] Alejandro Jodorowsky (2014),[18] Bruce Sterling (2015),[19] Rutger Hauer (2016),[20] Sergio Martino (2017),[21] and Douglas Trumbull (2018).[22] In 2019, the name of the Award was changed to Asteroide Lifetime Achievement Award and was bestowed to Phil Tippett.[23] Then in 2021, the Award was bestowed to Abel Ferrara[24].

In 2004, the Festival picked up a new challenge of restoring the forgotten icon of the event that inspired it: the Asteroide Award, historical prize of the Festival internazionale del film di fantascienza in Trieste.[25] The award to the best film in competition was called Asteroide d'Oro (Golden Asteroid). It was designed and crafted every year by a different artist (e.g., Nino Perizi and Marcello Mascherini), whose fame and talent was as exceptional as that of the sci-fi films and celebrities taking part in the Festival.

In 2005, Science plus Fiction became part of the Méliès International Festivals Federation[26], a network which includes all the main events in the field and aims at the promotion of the European genre production on a big scale.

In 2007, the festival updated its name to Science+Fiction. Since then, it has been characterized by an increasing range of events, including not only film screenings but also side events related to science fiction (round tables, scientific conferences, concerts and stage performances, art exhibitions, and literary events).

In 2009, Trieste Science+Fiction Festival launched the Méliès competition for feature films in addition to the competition of the same name reserved to short films.[27]

The film schedule has always included a wide range of proposals bound to attract both fans and newcomers to the science fiction, horror and fantasy genres. As of 2019, besides the official section—"Neon"—that includes the latest releases and film premières in and out of competition, the Festival presents classic films, short films in and out of competition ("European Fantastic Shorts" and "Fantastic Shorts" sections), "Spazio Italia" (a showcase of science-fiction and fantasy Italian productions), and science (fiction) documentary films with follow-up meetings ("Futurologia" section).

The retrospectives organized by the Festival are, including but not limited to: Brit Invaders! (2003–2005), on British science fiction from the 1960s to the present day;[28] Marx Attacks! (2007, 2009), a showcase of Russian and Eastern European productions;[29] FantaEspaña (2002), curated by Carlos Aguilar with a focus on Spanish science-fiction films; Voyage Fantastique (2006–2008), a journey into French science-fiction, in collaboration with the Institut Français in Milan and the Embassy of France in Italy; and Fant'America (2009), a tribute to Edgar Allan Poe, two hundred years from his birth.

The event reaches a grand total of more than 20,000 spectators per year.[30]

Awards

Asteroide

Year Title Director Country
2004 Able Edwards Graham Robertson United States
2005 Puzzlehead James Bai United States
2006 Manga Peter Khazizov Russia
2007 Timecrimes (Spanish: Los cronocrímenes)[31] Nacho Vigalondo Spain
2008 Before the Fall (Spanish: Tres días) F. Javier Gutiérrez Spain
2009 First Squad: The Moment of Truth Yoshiharu Ashino / Misha Shprits / Aljoscha Klimov Japan / Russia / Canada
2010 Transfer Damir Lukacevic Germany
2011 Monsters Gareth Edwards United Kingdom
2012 Errors of the Human Body Eron Sheean Germany / United States
2013 Europa Report Sebastián Cordero United States
2014 Time Lapse Bradley D. King United States
2015 Wyrmwood Kiah Roache-Turner Australia
2016 Embers Claire Carré United States / Poland
2017 The Man with the Magic Box Bodo Kox Poland / Italy
2018 Freaks Zach Lipovsky / Adam B. Stein Canada
2019 Aniara Pella Kågerman / Hugo Lilja Sweden / Denmark
2020 Sputnik Egor Abramenko Russia
2021 Gaia Jaco Bouwer South Africa
2022 The Artifice Girl Franklin Ritch United States
2023 Mars Express Jérémie Périn France
2024 U Are the Universe Pavlo Ostrikov Ukraine
2025 Redux Redux Kevin McManus & Matthew McManus USA

Méliès d'argent – feature films

Year Title Director Country
2009 The Children Tom Shankland United Kingdom
2010 Rare Exports: A Christmas Tale Jalmari Helander Finland
2011 L'arrivo di Wang Manetti Bros. Italy
2012 Grabbers Jon Wright United Kingdom / Ireland
2013 The Strange Colour of Your Body's Tears (French: L'étrange couleur des larmes de ton corps) Hélène Cattet / Bruno Forzani Belgium / France / Luxembourg
2014 Index Zero Lorenzo Sportiello Italy
2015 Polder Samuel Schwarz / Julian M. Grunthal Switzerland / Germany
2016 The Sum of Histories (Flemish: Terug Naar Morgen) Lukas Bossuyt Belgium
2017 Loop (Hungarian: Hurok) Isti Madarász Hungary
2018 Man Divided (Danish: QEDA) Max Kestner Denmark / Sweden / Finland
2019 Extra Ordinary Mike Ahern / Enda Loughman Ireland / Belgium
2020 The Trouble with Being Born Sandra Wollner Austria / Germany
2021 Warning Agata Alexander United States / Poland
2022 LOLA Andrew Legge UK
2023 The Last Spark of Hope (Polish: W nich cała nadzieja) Piotr Biedroń Poland
2024 After Us, The Flood (Finnish: Jälkeemme vedenpaisumus) Arto Halonen Finland
2025 The Shrinking Man (French: L'Homme qui rétrécit) Jan Kounen France/Belgium

Méliès d'argent – short films

Year Title Director Country
2005 Terra Incognita Peter Volkart Switzerland
2006 Final Journey Brendan Muldowney Ireland
2007 Absence Kevin Lecomte France
2008 Kingz Benni Diez / Marinko Spahic Germany
2009 Virtual Dating Katia Olivier Belgium
2010 Daddy's Girl Helen Komini Olsen Norway
2011 Out of Erasers (Swedish: Sudd) Erik Rosenlund Sweden / Denmark
2012 Employé du mois Olivier Beguin Switzerland
2013 Happy B-Day Holger B. Frick Germany
2014 The Nostalgist Giacomo Cimini United Kingdom
2015 The Kármán Line Oscar Sharp United Kingdom
2016 Getting Fat in a Healthy Way Kevork Aslanyan Bulgaria
2017 The Last Schnitzel Kaan Arici / Ismet Kurtulus Denmark
2018 Thunder From a Clear Sky (French: Orage par ciel clair) Yohan Faure France
2019 This Time Away Magali Barbé United Kingdom
2020 The Recycling Man Carlo Ballauri Italy
2021 The Exit Plan Angus Wilkinson Australia / United Kingdom
2022 68.415 Antonella Sabatino & Stefano Blasi Italy
2023 What-if-I Lavinia Tommasoli/Pietro Traversa Italy
2024 Où va le monde Mickaël Dupré France
2025 Animalia[32] Marius Rolfsvåg Norway

See also

Other sci-fi film festivals

References

Template:Reflist

Content in this edit is translated from the existing Italian Wikipedia article at it:Trieste Science+Fiction Festival; see its history for attribution.

External links

This article incorporates text from the Wikipedia article "Trieste Science+Fiction Festival", available under the Creative Commons Attribution-ShareAlike 4.0 License.Retrieved 2026-03-07.